America in Literature and Film: Modernist Perceptions, Postmodernist Representations


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Titles in this series

Elbeschlawy's study raises a number of thoughtful questions about how the idea of America has shaped and continues to shape both the thought as well as the subjectivity of many of its most prominent critics. Ahmed Elbeshlawy is an independent scholar and occasional lecturer. Lawrence's radical criticism of America; The fiction of the castrating power of America: Kafka's dream; Adorno's fascist America.

Du kanske gillar. Styles of Ruin David Rigsbee Inbunden. Nietzsche Ted Sadler Inbunden. Inbunden Engelska, Spara som favorit. Skickas inom vardagar. Laddas ned direkt. Utilizing Lacan's psychoanalytic theory and Zizek's philosophical adaption of it, this book brings into dialogue a series of modernist and postmodernist literary works, films, and critical theory that are concerned with defining America.

Modernism & English Literature

Ahmed Elbeshlawy demonstrates that how America is perceived in certain texts reveals not only the idealization or condemnation of it, but an imago, or constructed image of the perceiver as well. Fluxus artists preferred to work with whatever materials were at hand, and either created their own work or collaborated in the creation process with their colleagues.

Postmodernity

Fluxus can be viewed as part of the first phase of postmodernism, along with Rauschenberg, Johns, Warhol and the Situationist International. It did not represent a major advance in the development of artistic strategies, though it did express a rebellion against, "the administered culture of the s, in which a moderate, domesticated modernism served as ideological prop to the Cold War. By the early s Minimalism emerged as an abstract movement in art with roots in geometric abstraction via Malevich , the Bauhaus and Mondrian which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.

Minimalism argued extreme simplicity could capture the sublime representation art requires. Associated with painters such as Frank Stella , minimalism in painting, as opposed to other areas, is a modernist movement and depending on the context can be construed as a precursor to the postmodern movement. Hal Foster , in his essay The Crux of Minimalism , examines the extent to which Donald Judd and Robert Morris both acknowledge and exceed Greenbergian modernism in their published definitions of minimalism.

Robert Pincus-Witten coined the term Post-minimalism in to describe minimalist derived art which had content and contextual overtones minimalism rejected. Rosalind Krauss argues by artists such as Morris, LeWitt, Smithson and Serra had "entered a situation the logical conditions of which can no longer be described as modernist. Conceptual art is sometimes labelled as postmodern because it is expressly involved in deconstruction of what makes a work of art, "art".


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Conceptual art, because it is often designed to confront, offend or attack notions held by many of the people who view it, is regarded with particular controversy. Precursors to conceptual art include the work of Duchamp, John Cage 's 4' 33" , in which the music is said to be "the sounds of the environment that the listeners' hear while it is performed," and Rauschenberg's Erased De Kooning Drawing.

Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself. Thus, because Fountain was exhibited, it was a sculpture. An important series of movements in art which have consistently been described as postmodern involved installation art and creation of artifacts that are conceptual in nature.

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America in Literature and Film

Installation Art has been important in determining the spaces selected for museums of contemporary art in order to be able to hold the large works which are composed of vast collages of manufactured and found objects. These installations and collages are often electrified, with moving parts and lights. Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music, hot-rod street culture, and other California subcultures.


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  • It is also often known by the name pop surrealism. Lowbrow art highlights a central theme in postmodernism in that the distinction between "high" and "low" art are no longer recognized. Another trend in art which has been associated with the term postmodern is the use of a number of different media together.

    Intermedia , a term coined by Dick Higgins and meant to convey new artforms along the lines of Fluxus , Concrete Poetry , Found objects , Performance art , and Computer art. Ihab Hassan includes, "Intermedia, the fusion of forms, the confusion of realms," in his list of the characteristics of postmodern art.

    While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with performance art , where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action.

    Higgin's conception of Intermedia is connected to the growth of multimedia digital practice such as immersive virtual reality , digital art and computer art. Telematic art is a descriptive of art projects using computer mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters.

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    Roy Ascott sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since when he went online for the first time, organizing different collaborative online projects. In his essay The Allegorical Impulse: Toward a Theory of Postmodernism, Craig Owens identifies the re-emergence of an allegorical impulse as characteristic of postmodern art.

    This impulse can be seen in the appropriation art of artists such as Sherrie Levine and Robert Longo because, "Allegorical imagery is appropriated imagery. The return to the traditional art forms of sculpture and painting in the late s and early s seen in the work of Neo-expressionist artists such as Georg Baselitz and Julian Schnabel has been described as a postmodern tendency, [68] and one of the first coherent movements to emerge in the postmodern era. Hal Foster states that neo-expressionism was complicit with the conservative cultural politics of the Reagan-Bush era in the U.

    Critiques on the institutions of art principally museums and galleries are made in the work of Michael Asher , Marcel Broodthaers , Daniel Buren and Hans Haacke. From Wikipedia, the free encyclopedia. Art movement. The juxtaposition of old and new, especially with regards to taking styles from past periods and re-fitting them into modern art outside of their original context, is a common characteristic of postmodern art.

    Main article: Dada. Main articles: Jackson Pollock , Abstract expressionism , and Western painting. Main articles: Performance art and Happenings. Main article: Assemblage art. Main articles: Pop art and Western painting. Main article: Fluxus. Main article: Minimalism.

    Main article: Postminimalism. Main article: Conceptual Art. Main article: Installation art. Main article: Lowbrow art movement. Main articles: Performance art and List of performance artists.

    Postmodern art

    Main article: Digital art. Main article: Intermedia. Main article: Telematic art. Main articles: Appropriation art and Neo-conceptual art. Main article: Neo-expressionism. Main article: Institutional Critique. Retrieved June 26, Manchester University Press, Routledge, London, Retrieved on Retrieved 5 October Abrams, , p. New Haven: Yale University Press.

    Young Lyrical Painters, Art in America, v. Carolee Schneemann. Paradise Now.


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      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations
      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations
      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations
      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations
      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations
      America in Literature and Film: Modernist Perceptions, Postmodernist Representations America in Literature and Film: Modernist Perceptions, Postmodernist Representations

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